Perform + Research

Building-scapes.

A performance-practice-as-research practice at the meeting point of somatic, sonic and cyclical processes — site-specific work where movement, voice and live sound compose with the room, the audience and the moment.

Laura Colomban performing on stage with projected text behind
Photo: Laura Colomban.

Practice

Sites within sites — through voice, movement and sound.

Laura Colomban develops, through performance-making, a bespoke cyclical creative process that integrates circular methodologies with expanded choreography and auditory investigation.

"To listen is to enter the spatiality by which, at the same time, I am penetrated. To be listening is to be inside as well as outside, to open from without and from within — sharing an inside/outside, division and participation, de-connection and contagion."— Jean-Luc Nancy, Listening (2007)

Archive

Selected works.

01

Building-scapes

Performance Practice as Research

An innovative performance-practice-as-research endeavour that delves into the interplay of somatic, sonic and cyclical processes within a technologically mediated space. Conceived as a site-specific experience, performers engage in real-time sound composition while interacting with the environment in the presence of the audience. The audience scans a QR code to join an audio live-stream and listens through headphones — a subtle misalignment between sight and sound that opens space for free association.

02

Still Pouring Sand

Short film — Trinity Laban, mentored by Becky Edmunds

A moving testimonial of Venice's high-tide tragedy of November 12th, 2019. Personal and found footage from Istituto Luce woven into a deeply resonant artistic testimony, with original soundscape. Created during the Dance and the Moving Image module of the MFA Creative Practice at Trinity Laban.

03

Traceable No Further

MFA Creative Practice, Trinity Laban — guided by Zoi Dimitriou

A study in the physical act of disappearance on stage — the focus and non-focus of gaze, movement and stillness embodying a vanishing act. A political gesture for those whose rights, land or recognition have been erased. Soundscape composed during the Banff Residency by Philippe Melanson and Daniel Pencer.

04

Möbius Devices

Performance — IQ Festival Berlin · Hangartfest · London

A performance work exploring cyclical structures, breath and sound in dialogue with site. Premiered across IQ Festival (Berlin), Hangartfest (Pesaro) and London in 2021.

05

NEU MA

Interactive live act with Giovanni Dinello

A movement and research project built around breath as both sound material and control interface. Software performs real-time analysis on the breath, amplifying and processing it; choreography and lighting arise from the breath data itself. In partnership with V.E.R-V. (Venice Electroacoustic Rendez-Vous) and BURBB (Biennale Urbana).

06

[∅∩⊂]

Work in Progress — The Living Art Festival, Schio, Verona · 08 October 2016

Work in Progress Performance for The Living Art Festival in Schio, Verona. Special thanks to Mousiké in Bologna for the first residency, Carla Marazzato for the dramaturgy and Margherita Masé for cultural suggestions and a precious outside eye.

Selected performances

  • 2021

    Möbius Devices

    IQ Festival, Berlin · Hangartfest, Pesaro · London
  • 2019

    NEU MA #4

    Hors Lits, Paris
  • 2019

    NEU MA #2

    Prospettiva Danza e Teatro, Padova
  • 2018

    NEU MA

    Social Practice, Performance & Education Int. Symposium — MAMbo, Bologna
  • 2018

    Twang!

    HomeFest, Bucharest
  • 2018

    MyoBreath

    Master Digital Exhibit, Venice
  • 2017

    [∅∩⊂] Mothership

    New York
  • 2017

    [∅∩⊂] Picasso Machinery

    New York
  • 2017

    StäbeTanz

    Festival delle Arti Giudecca, Venice
  • 2016

    [∅∩⊂] Solo

    The Living Art Festival, Vicenza
  • 2015

    Tribute to Anna Halprin

    Washington Square Park, New York
  • 2015

    Light

    Festival delle Arti, Venice
  • 2013

    Unwrapped

    Residency & Performance at WASP, Bucharest

As performer — collaborations

  • Bruce Nauman — Contrapposto Studies, Punta della Dogana, Venice (May–Dec 2021)
  • Punchdrunk International — Believe Your Eyes (September 2019)
  • FESTI Group — Blame the Moon, Venice Carnival inauguration (Feb 2019)
  • The Commons Choir — May Day Hey Day Parfait, BRIC Arts Media, Brooklyn (Nov 2017)
  • The Commons Choir — Judson Church, New York (Nov 2015)
  • Molayo Dance Company — Festival Intérieur/Extérieur, Romans, FR (Jun 2015)

Sponsorships & awards

  • · Leverhulme Arts Scholar 2020/2021
  • · Leverhulme Arts Scholar 2019/2020
  • · Finalist — Short Video 'Fratture', HangartFest, September 2020
  • · Finalist — Prospettiva Danza e Teatro Prize, April 2019
  • · Sponsorship Performing Arts Res, Spring 2019
  • · Creative Gesture Collective Financial Aid, August 2018
  • · O-1 Visa — Individuals with Extraordinary Ability or Achievement, September 2016
  • · Video Dance Residency, WASP (Bucharest), 2013

Education

  • · MFA Creative Practice — Dance Professional Pathway, Trinity Laban, 2019–2021
  • · Tamalpa Institute, 2012–2015
  • · Atem-Tonus-Ton — Voice and Breath Therapy, 2015–2017
  • · MA Graphic Design — International School of Graphic Design, 2002–2004
  • · Management of Cultural Production, Università Cà Foscari, 2001–2002

Podcast

DanceOutsideDance.

An open research forum exposing questions, investigations and conversations as artists to the wider world — a public space that embraces the unresolved. Episodes engage with collaboration, technology and digital media, performance making, relational practice, neuroscience, anthropology and somatics. An artist-led, self-funded podcast initiated by Laura Colomban, Alice Gale-Feeny, Michaela Gerussi and Julia Pond.

Publications

Writing on practice.

Anna and Lawrence Halprin: the RSVP cycle

Danza e Ricerca, University of Bologna — No. 9

The RSVP cycle as the methodological tool and the outcome of Anna Halprin's lifelong mission: to make everyone dance, regardless of training, age or ability — a common language for collective work that crosses cultural, social and geographical boundaries.

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Breath, Intimacy and Interactivity

Audiation Magazine — No. 7 / 2019

Atem-Tonus-Ton practice in training and performance. Listening to the breath as a 'present' condition — free from expectation or control — that vitalises the body-mind system and opens a space for performance.

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Devising Second Language Learning through Pleasure

OneDance UK — Spring 2023

Move Play 'n Jump into English — a six-year funded language programme in Venetian nurseries and elementary schools, using dance and creative arts as bridges between verbal and non-verbal communication.

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